Old Town becomes New Chinatown

Willem de Kooning. Dark Pond, 1948. Enamel on composition board, 46 3/4 x 55 3/4 in. (118.7 x 141.6 cm). Frederick R. Weisman Art Foundation, Los Angeles.
Seminar Generative Erasure: a Painting

“Generative Erasure: A Painting will get involved with digital means of production. We’re looking for conversations that
broaden our understanding about the means by which architects produce work—and the varied ethics, values,
operating procedures and effects of said means for working. There are no prescribed results, just the expectation for
an intense, probative, and pleasurable investment in your work. Our objectives for Generative Erasure include:
acquiring a deeper understanding of producing, generating something, primarily, through erasure; utilizing a painting
image as a site for representational and spatial work; and getting off-leash, wandering through the forest, perhaps
discovering other gravities en route.” by Professor Perry Kulper

Amy’s Brief:

I chose Dark Pond by Kooning because that is how I see Old Town today, DARK. The streets are empty except for the homeless and very few tourists and/or residents. For ten weeks, I walked and photograph and video taped Old Town. It is a homeless heaven right now.

Boards for Winter Term Studio Project

My erasure is about dreaming of a New Chinatown (Old Town is the historic district current name). I have learned a lot about the history of Asians in America this week due to a mass shooting in Atlanta where six Asian women were killed. I also learned, via a Channel 8 News Report, that the Asians left Portland Chinatown because they did not feel safe. As the area emerges from a dark pond to a bright Lantern, I hope Portland encourages the celebration of all cultures and help the homeless find their light.

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